1853 lines
78 KiB
Rust
1853 lines
78 KiB
Rust
//! Pitch primitives and the spelling subsystem (Chapter 2; Chapter 4 for the
|
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//! tuning/pitch-space registry identifiers a pitch references).
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//!
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//! A [`Pitch`] is two independent intrinsic layers (Chapter 2 §"The Pitch
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//! Type"): a [`ScalePosition`] (analytical identity within a pitch space) and
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//! an [`AcousticPitch`] (sounding-frequency identity, relative to a tuning
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//! system). Spelling — what the performer sees — is **not** a field on the
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//! pitch (Chapter 2 §"Spelling"); it is attached externally, indexed by
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//! [`PitchId`], through [`SpellingAttachment`].
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//!
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//! Pitches embedded in events are wrapped in [`IdentifiedPitch`], pairing the
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//! pitch with its stable [`PitchId`] (Chapter 5 §"Identified Pitches").
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use epiphany_determinism::{
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canonical_f64_bytes, CanonicalF64, SystemDomainTag, Tolerance, ToleranceClass,
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};
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use unicode_normalization::UnicodeNormalization;
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use crate::ids::{derive_system_id, AnalysisLayerId, PitchId, VoiceId};
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use crate::time::TimeAnchor;
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/// Defines a catalog / registry identifier: a named entry in one of the
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/// score's registries (pitch spaces, tuning systems, accidental registries,
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/// …). The built-in catalog uses short ASCII names like `"cmn-12"` and
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/// `"tet-12"` (Chapter 4 §"Built-in Catalog"), so the identifier is a string.
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///
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/// Appendix D §"Text and Unicode" makes canonical text identity byte comparison
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/// of the UTF-8 **NFC** form: *"Canonical text fields MUST be encoded as UTF-8
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/// with Unicode NFC applied … Comparisons of canonical text fields for identity
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/// MUST be byte comparisons of NFC-encoded UTF-8."* [`$name::new`] therefore
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/// **normalizes to NFC on construction**, so two canonically-equivalent names
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/// (e.g. precomposed "é" U+00E9 vs decomposed "e"+U+0301) intern to the same
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/// value and compare, hash, and order equal. The built-in catalog names are
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/// ASCII (already NFC) and so are unaffected.
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macro_rules! catalog_id {
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($(#[$meta:meta])* $name:ident) => {
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$(#[$meta])*
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#[derive(Clone, PartialEq, Eq, PartialOrd, Ord, Hash)]
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pub struct $name(String);
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impl $name {
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/// Interns a catalog name, normalizing it to Unicode NFC so
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/// canonically-equivalent spellings compare equal (Appendix D
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/// §"Text and Unicode").
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#[inline]
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pub fn new(name: impl Into<String>) -> Self {
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$name(name.into().nfc().collect())
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}
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/// The catalog name.
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#[inline]
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pub fn as_str(&self) -> &str {
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&self.0
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}
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}
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impl core::fmt::Debug for $name {
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fn fmt(&self, f: &mut core::fmt::Formatter<'_>) -> core::fmt::Result {
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write!(f, concat!(stringify!($name), "({:?})"), self.0)
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}
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}
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impl core::fmt::Display for $name {
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fn fmt(&self, f: &mut core::fmt::Formatter<'_>) -> core::fmt::Result {
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f.write_str(&self.0)
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}
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}
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};
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}
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catalog_id!(
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/// Identifies a pitch space (Chapter 4 §"Pitch Spaces"). Built-ins include
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/// `cmn-12`, `edo-31`, `ji-5limit`.
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PitchSpaceId
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);
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catalog_id!(
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/// Identifies a tuning system (Chapter 4 §"Tuning Systems"). Built-ins
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/// include `tet-12`, `werckmeister-iii`.
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TuningSystemId
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);
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catalog_id!(
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/// Identifies a registered tuning function consumed by
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/// [`crate::tuning::TuningResolution::Function`] (Chapter 4
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/// §"Tuning Resolution", `core_spec.tex:3318-3324`: "Procedural
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/// definition: a registered tuning function that computes frequencies
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/// from a reference. Historical temperaments ... live here."). The ten
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/// historical temperaments (Push 4b tranche 2b) are reserved built-in
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/// ids — `"pythagorean"`, `"werckmeister-iii"`, and so on — spelled
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/// identically to their [`TuningSystemId`], since each temperament's
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/// catalog entry and its tuning function share one identifier. An id
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/// with no reserved built-in has no registry to resolve against
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/// (`Function` is an extension point this tranche does not build a
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/// registry for) and fails closed.
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TuningFunctionId
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||
);
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catalog_id!(
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/// Identifies a registered adaptive tuning function, consumed by
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/// [`crate::tuning::TuningResolution::Adaptive`] (Chapter 4 §"Adaptive
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/// Tuning", `req:tuning:adaptive-default-version`). The built-in catalog
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/// entry `ji-adaptive-5limit` is bound to `"default-v1"` — the version
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/// lives *inside* the identifier string, not as prose beside it, so a
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/// future version 2 would mint a new identifier rather than silently
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/// changing what `"default-v1"` means. An unregistered id (this tranche
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/// registers exactly the one) is a hard error with no silent fallback to
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/// a default version.
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AdaptiveTuningFunctionId
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);
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catalog_id!(
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/// Identifies an accidental registry (Chapter 4 §"Accidental Registries").
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AccidentalRegistryId
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);
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catalog_id!(
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/// Identifies an accidental within a registry (Chapter 4).
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AccidentalId
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);
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catalog_id!(
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/// Identifies a nominal registry (Chapter 4).
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NominalRegistryId
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);
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catalog_id!(
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/// Identifies a registered (grammar-defined) scale position
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/// (Chapter 2 §"Scale Position").
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PositionRegistryId
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||
);
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catalog_id!(
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/// Identifies a registered tie class with custom validation behaviour
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/// (Chapter 5 §"Ties", `TieClass::Registered`).
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TieClassRegistryId
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||
);
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catalog_id!(
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/// Identifies a registered staff-group kind (Chapter 5
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/// §"Top-Level Score Structure", `StaffGroupKind::Registered`).
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StaffGroupKindRegistryId
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);
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catalog_id!(
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/// Identifies a spelling rule set (Chapter 4 §"Spelling Rule Sets").
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SpellingRuleSetId
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||
);
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catalog_id!(
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/// Identifies a spelling algorithm family (Chapter 2 §"The Spelling
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/// Pre-Pass"). The v0 stub registers [`SpellingAlgorithmId::default_id`].
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SpellingAlgorithmId
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);
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catalog_id!(
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/// Identifies a notational-decomposition algorithm family (Chapter 3
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/// §"Sounding Duration and Notational Decomposition"). Versioned the same
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/// way as [`SpellingAlgorithmId`]: the id is part of the derivation key for
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/// the decomposition pre-pass, so a profile-declared change deterministically
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/// invalidates derived decompositions. The Phase-2 default
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/// ([`DecompositionAlgorithmId::default_id`]) resolves to the metric
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/// greedy-aligned splitter in [`crate::prepass`].
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DecompositionAlgorithmId
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||
);
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catalog_id!(
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/// Identifies a foreign interchange format (e.g. MusicXML), used as a
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/// spelling/decomposition provenance tag.
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ForeignFormatId
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);
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catalog_id!(
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/// Identifies a registered (grammar-defined) position structure
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/// (Chapter 4 §"Position Structure", `PositionStructure::Registered`).
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PositionStructureRegistryId
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);
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catalog_id!(
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/// Identifies a registered (grammar-defined) interval algebra
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/// (Chapter 4 §"Interval Algebra", `IntervalAlgebra::Registered`).
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IntervalAlgebraRegistryId
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);
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catalog_id!(
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/// Identifies a registered (grammar-defined) transposition behavior
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/// (Chapter 4 §"Transposition Behavior", `TranspositionBehavior::Registered`).
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TranspositionRegistryId
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);
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catalog_id!(
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/// Identifies a custom (non-SMuFL) glyph (Chapter 4 §"Glyph References
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/// and SMuFL", `crate::accidental::GlyphReference::Custom`).
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CustomGlyphId
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||
);
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catalog_id!(
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/// Identifies a registered (grammar-defined) pitch-space modification
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/// (Chapter 4 §"Pitch Space Modifications",
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/// `crate::accidental::PitchSpaceModification::Registered`).
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ModificationRegistryId
|
||
);
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catalog_id!(
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/// Identifies a compatibility group for stacking accidentals (Chapter 4
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/// §"Combination Behavior", `crate::accidental::AccidentalCombination::Stacking`).
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AccidentalGroupId
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||
);
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impl SpellingAlgorithmId {
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/// The Phase-2 default spelling algorithm, registered under the id
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/// `"default"`. The id resolves to the deterministic Temperley-style
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/// line-of-fifths pre-pass implemented in [`crate::prepass`] (Chapter 2
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/// §"The Spelling Pre-Pass"). The literal id is part of the derivation key:
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/// changing the registered algorithm changes the id, so derived spellings
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/// computed under a different version never silently alias.
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pub fn default_id() -> Self {
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SpellingAlgorithmId::new("default")
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}
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}
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impl DecompositionAlgorithmId {
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/// The Phase-2 default decomposition algorithm, registered under the id
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/// `"default"`. The id resolves to the deterministic metric greedy-aligned
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/// splitter implemented in [`crate::prepass`] (Chapter 3 §"Sounding Duration
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/// and Notational Decomposition").
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pub fn default_id() -> Self {
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DecompositionAlgorithmId::new("default")
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}
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}
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/// The seven CMN diatonic nominals. The discriminants are **normative**: they
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/// define the diatonic step ordering used by transposition (Chapter 2
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/// §"The CmnNominal Type").
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#[repr(u8)]
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#[derive(Copy, Clone, PartialEq, Eq, PartialOrd, Ord, Hash, Debug)]
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pub enum CmnNominal {
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C = 0,
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D = 1,
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E = 2,
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F = 3,
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G = 4,
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A = 5,
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B = 6,
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}
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impl CmnNominal {
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/// The nominal's position in the 12-chromatic layer for `cmn-12`
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/// (`C=0, D=2, E=4, F=5, G=7, A=9, B=11`), per the
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/// `DiatonicOverChromatic` mapping in Chapter 4.
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pub fn chromatic(self) -> u8 {
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match self {
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CmnNominal::C => 0,
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CmnNominal::D => 2,
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CmnNominal::E => 4,
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CmnNominal::F => 5,
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CmnNominal::G => 7,
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CmnNominal::A => 9,
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CmnNominal::B => 11,
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}
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}
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/// The nominal for a diatonic index in `0..7`, the inverse of the type's
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/// normative discriminant (Chapter 2 §"The CmnNominal Type"). Panics
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/// outside the range; callers reduce with `rem_euclid(7)` first.
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fn from_index(index: i32) -> Self {
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match index {
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0 => CmnNominal::C,
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1 => CmnNominal::D,
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2 => CmnNominal::E,
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3 => CmnNominal::F,
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4 => CmnNominal::G,
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5 => CmnNominal::A,
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6 => CmnNominal::B,
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other => unreachable!("diatonic index out of 0..7: {other}"),
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}
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}
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}
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/// A signed interval: the transposition primitive (Chapter 2
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/// §"Transposition and the Interval Type"; schema major 2). Both components
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/// are load-bearing — the diatonic one fixes the spelling (which nominal,
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/// hence which staff line), the chromatic one fixes the sound. Neither
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/// determines the other: an augmented second `(1, 3)` and a minor third
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/// `(2, 3)` sound alike and are written differently.
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///
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/// [`Instrument::transposition`](crate::Instrument) carries one as its
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/// written-versus-sounding interval (a B-flat clarinet is `-1` diatonic, `-2`
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/// chromatic). Its *action* is pinned by [`Pitch::transposed`]; what stays
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/// advisory is its automatic application at the written/sounding boundary,
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/// which nothing in the core performs yet.
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#[derive(Copy, Clone, PartialEq, Eq, Debug)]
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pub struct TranspositionInterval {
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pub diatonic_steps: i32,
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pub chromatic_steps: i32,
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}
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impl TranspositionInterval {
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/// The interval that undoes this one, or `None` when it is not
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/// representable: `i32::MIN` has no `i32` negation. Exact where it exists,
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/// because [`Pitch::transposed`] never saturates — it refuses instead.
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///
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/// The non-representable case is explicit rather than a panic or a wrap:
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/// an interval whose inverse cannot be written down is a fact about the
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/// type, and a caller composing undo out of inverses must see it.
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pub fn inverse(self) -> Option<Self> {
|
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Some(TranspositionInterval {
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diatonic_steps: self.diatonic_steps.checked_neg()?,
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chromatic_steps: self.chromatic_steps.checked_neg()?,
|
||
})
|
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}
|
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}
|
||
|
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/// Why a pitch could not be faithfully transposed (Chapter 2
|
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/// `req:pitch:transposition`). Each variant is a way a transposition would
|
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/// otherwise have to lie.
|
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#[derive(Copy, Clone, PartialEq, Eq, Debug)]
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pub enum TransposeRefusal {
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/// The position is not [`PitchSpacePosition::Cmn`], so it has no nominal
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/// for the interval's diatonic component to move.
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NonCmnPosition,
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/// The enclosing pitch space's chromatic layer or nominal mapping cannot
|
||
/// be established, so applying the interval would require guessed
|
||
/// arithmetic (`req:pitch:space-capability-refusal`). Structural: the
|
||
/// space's [`PositionStructure`](crate::pitch_space::PositionStructure)
|
||
/// is looked up in [`crate::pitch_space::built_in_position_structure`]
|
||
/// and must resolve to
|
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/// [`DiatonicOverChromatic`](crate::pitch_space::PositionStructure::DiatonicOverChromatic);
|
||
/// every other outcome — `Chromatic`, `JiLattice`, `Registered`, an
|
||
/// unknown identifier, or one of the six built-in spaces the
|
||
/// specification names but does not structurally determine — refuses.
|
||
PitchSpaceUnavailable,
|
||
/// The pitch's [`AcousticRealization::AbsoluteHz`] overrides the tuning
|
||
/// system, so moving the scale position would move the notehead without
|
||
/// moving the sound.
|
||
AcousticPinned,
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/// The resulting `alteration` or `octave` does not fit its `i8` field.
|
||
OutOfRange,
|
||
}
|
||
|
||
/// Resolves `space` to its [`DiatonicOverChromatic`](crate::pitch_space::PositionStructure::DiatonicOverChromatic)
|
||
/// chromatic cardinality and nominal mapping against the built-in catalog
|
||
/// ([`crate::pitch_space::built_in_position_structure`]), or `None` for
|
||
/// every other case — `Chromatic`, `JiLattice`, `Registered`, an unknown
|
||
/// identifier, or one of the six catalog spaces the specification does not
|
||
/// structurally determine. This is the structural replacement for the
|
||
/// retired P13-S2 `"cmn-12"` identifier check
|
||
/// (`req:pitch:space-capability-refusal`): [`Pitch::transposed`] and
|
||
/// [`Pitch::twelve_tet_semitone`] are its only two call sites, matching the
|
||
/// two places the interim guard used to live.
|
||
fn diatonic_over_chromatic_structure(space: &PitchSpaceId) -> Option<(u16, Vec<u16>)> {
|
||
match crate::pitch_space::built_in_position_structure(space)? {
|
||
crate::pitch_space::PositionStructure::DiatonicOverChromatic {
|
||
chromatic_positions_per_octave,
|
||
nominal_to_chromatic,
|
||
..
|
||
} => Some((chromatic_positions_per_octave, nominal_to_chromatic)),
|
||
_ => None,
|
||
}
|
||
}
|
||
|
||
impl Pitch {
|
||
/// Transposes this pitch by `interval`, per Chapter 2
|
||
/// `req:pitch:transposition`.
|
||
///
|
||
/// With `n` the nominal's normative discriminant, `C` the enclosing
|
||
/// space's `chromatic_positions_per_octave`, and `m` its
|
||
/// `nominal_to_chromatic` mapping (both resolved structurally — see
|
||
/// below), the absolute chromatic coordinate is
|
||
/// `s = m(nominal) + alteration + C*octave`, and transposing by
|
||
/// `{ d, c }` yields
|
||
///
|
||
/// ```text
|
||
/// nominal' = CmnNominal((n + d).rem_euclid(7))
|
||
/// octave' = octave + (n + d).div_euclid(7)
|
||
/// alteration' = (s + c) - (m(nominal') + C*octave')
|
||
/// ```
|
||
///
|
||
/// `C` and `m` are resolved by looking `self.scale_position.space` up in
|
||
/// [`crate::pitch_space::built_in_position_structure`]: when it resolves
|
||
/// to [`DiatonicOverChromatic`](crate::pitch_space::PositionStructure::DiatonicOverChromatic),
|
||
/// that structure's own `chromatic_positions_per_octave` and
|
||
/// `nominal_to_chromatic` are used — which is what makes `cmn-24`
|
||
/// transpose in quarter-tone steps rather than semitones. Every other
|
||
/// resolution — `Chromatic`, `JiLattice`, `Registered`, an unknown
|
||
/// identifier, or one of the six built-in spaces the specification does
|
||
/// not structurally determine — refuses
|
||
/// ([`TransposeRefusal::PitchSpaceUnavailable`],
|
||
/// `req:pitch:space-capability-refusal`) rather than guessing a
|
||
/// structure.
|
||
///
|
||
/// The diatonic component alone selects the nominal and octave; the
|
||
/// alteration absorbs exactly the residue. So in `cmn-12`, `C4 + (7, 12)`
|
||
/// is `C5`, not "C with twelve sharps", and `C4 + (0, 1)` is `C#4`.
|
||
///
|
||
/// Refuses rather than saturating, clamping, or approximating: a
|
||
/// transposition that silently produces a pitch nobody asked for reports
|
||
/// success and destroys the evidence needed to notice.
|
||
pub fn transposed(&self, interval: TranspositionInterval) -> Result<Pitch, TransposeRefusal> {
|
||
if matches!(
|
||
self.acoustic.realization,
|
||
AcousticRealization::AbsoluteHz(_)
|
||
) {
|
||
return Err(TransposeRefusal::AcousticPinned);
|
||
}
|
||
let PitchSpacePosition::Cmn {
|
||
nominal,
|
||
alteration,
|
||
octave,
|
||
} = self.scale_position.position
|
||
else {
|
||
return Err(TransposeRefusal::NonCmnPosition);
|
||
};
|
||
let (chromatic_card, nominal_to_chromatic) =
|
||
diatonic_over_chromatic_structure(&self.scale_position.space)
|
||
.ok_or(TransposeRefusal::PitchSpaceUnavailable)?;
|
||
|
||
// Widen to `i64` before any arithmetic. The `i8` bound is a *result*
|
||
// constraint, not an intermediate one, so an octave that overflows on
|
||
// the way to a value that fits would be a spurious refusal — but
|
||
// `i32` is not wide enough to hold the intermediates for an `i32`
|
||
// interval, and the previous version of this function panicked on
|
||
// `diatonic_steps = i32::MAX` at `chromatic_card * new_octave`.
|
||
// Refusing is the contract; panicking on a value the public type
|
||
// admits is not.
|
||
//
|
||
// `i64` is amply wide: `step` is bounded by `6 + 2^31`, so
|
||
// `new_octave` by `2^31/7 + 127`, and the largest intermediate
|
||
// `chromatic_card * new_octave` by roughly `chromatic_card * 3e8`,
|
||
// nowhere near `i64::MAX` for any `u16` cardinality.
|
||
let chromatic_of = |nom: CmnNominal| i64::from(nominal_to_chromatic[nom as usize]);
|
||
let c = i64::from(chromatic_card);
|
||
let n = i64::from(nominal as u8);
|
||
let semitone = chromatic_of(nominal) + i64::from(alteration) + c * i64::from(octave);
|
||
let step = n + i64::from(interval.diatonic_steps);
|
||
let new_nominal = CmnNominal::from_index(step.rem_euclid(7) as i32);
|
||
let new_octave = i64::from(octave) + step.div_euclid(7);
|
||
let new_alteration = (semitone + i64::from(interval.chromatic_steps))
|
||
- (chromatic_of(new_nominal) + c * new_octave);
|
||
|
||
let octave = i8::try_from(new_octave).map_err(|_| TransposeRefusal::OutOfRange)?;
|
||
let alteration = i8::try_from(new_alteration).map_err(|_| TransposeRefusal::OutOfRange)?;
|
||
|
||
let mut out = self.clone();
|
||
out.scale_position.position = PitchSpacePosition::Cmn {
|
||
nominal: new_nominal,
|
||
alteration,
|
||
octave,
|
||
};
|
||
Ok(out)
|
||
}
|
||
}
|
||
|
||
/// A position within a pitch space (Chapter 2 §"Scale Position"). Tagged union
|
||
/// with a fast CMN path plus a registry escape hatch for arbitrary grammars.
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub enum PitchSpacePosition {
|
||
/// Common Music Notation: diatonic nominal + chromatic alteration + octave.
|
||
Cmn {
|
||
nominal: CmnNominal,
|
||
/// Chromatic alteration in steps of the enclosing pitch space's
|
||
/// chromatic layer (`req:pitch:alteration-unit`), conventionally
|
||
/// `-2..=+2`. One step is a semitone in `cmn-12` and a quarter-tone in
|
||
/// `cmn-24`, so a flat is respectively `-1` and `-2`.
|
||
alteration: i8,
|
||
/// Scientific Pitch Notation octave; middle C is C4.
|
||
octave: i8,
|
||
},
|
||
/// N-tone integer position (serial, EDO).
|
||
Integer { space_size: u16, index: i32 },
|
||
/// Just-intonation lattice vector; one exponent per prime in the space's
|
||
/// declared basis (Chapter 2 §"Scale Position", `JiVector`).
|
||
JiVector { components: Vec<i32> },
|
||
/// A registered position resolved by the pitch space's grammar plugin.
|
||
Registered(PositionRegistryId),
|
||
}
|
||
|
||
/// A pitch's analytical identity (Chapter 2 §"Scale Position").
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub struct ScalePosition {
|
||
/// The pitch space this position is defined within.
|
||
pub space: PitchSpaceId,
|
||
/// The position within that space.
|
||
pub position: PitchSpacePosition,
|
||
}
|
||
|
||
/// A reference to the tuning system governing a pitch (Chapter 2
|
||
/// §"Tuning Reference and Inheritance").
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub enum TuningReference {
|
||
/// Inherit the tuning system from the enclosing scope. Malformed at score
|
||
/// level (the score's tuning system must be explicit).
|
||
Inherit,
|
||
/// Explicitly named tuning system.
|
||
Explicit(TuningSystemId),
|
||
}
|
||
|
||
/// How the tuning system resolves to a frequency (Chapter 2 §"Acoustic
|
||
/// Realization"). The cents/Hz payloads are [`CanonicalF64`] so a NaN/inf/`-0.0`
|
||
/// can never enter canonical state (Appendix D §"Floating-Point Values").
|
||
#[derive(Copy, Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub enum AcousticRealization {
|
||
/// Resolve through the tuning system using the scale position alone (the
|
||
/// default for ordinary CMN).
|
||
Implicit,
|
||
/// An explicit offset in cents from the tuning system's result.
|
||
CentsOffset(CanonicalF64),
|
||
/// An explicit absolute frequency in Hertz, overriding the tuning system.
|
||
AbsoluteHz(CanonicalF64),
|
||
}
|
||
|
||
impl AcousticRealization {
|
||
/// Builds a cents offset, rejecting a non-finite value (Appendix D).
|
||
pub fn cents_offset(cents: f64) -> Option<Self> {
|
||
CanonicalF64::new(cents).map(AcousticRealization::CentsOffset)
|
||
}
|
||
/// Builds an absolute-frequency realization, rejecting a non-finite or
|
||
/// non-positive frequency (Chapter 4 §"Reference Pitch": "positive and
|
||
/// finite").
|
||
pub fn absolute_hz(hz: f64) -> Option<Self> {
|
||
if hz > 0.0 {
|
||
CanonicalF64::new(hz).map(AcousticRealization::AbsoluteHz)
|
||
} else {
|
||
None
|
||
}
|
||
}
|
||
}
|
||
|
||
/// The reference pitch anchoring a tuning system's ratios to absolute Hertz
|
||
/// (Chapter 4 §"Reference Pitch"). A score-level property, not a tuning-system
|
||
/// one. The frequency is a finite, positive [`CanonicalF64`].
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub struct ReferencePitch {
|
||
/// The pitch-space position chosen as the reference (conventionally A4).
|
||
pub position: PitchSpacePosition,
|
||
/// The frequency in Hertz; **positive** and finite. Private so it cannot be
|
||
/// mutated into an invalid value after construction (Chapter 4: "positive
|
||
/// and finite") — the only way to set it is through [`ReferencePitch::new`].
|
||
frequency_hz: CanonicalF64,
|
||
}
|
||
|
||
impl ReferencePitch {
|
||
/// Builds a reference pitch, rejecting a non-finite or non-positive
|
||
/// frequency (Chapter 4: "positive and finite").
|
||
pub fn new(position: PitchSpacePosition, frequency_hz: f64) -> Option<Self> {
|
||
if frequency_hz > 0.0 {
|
||
CanonicalF64::new(frequency_hz).map(|frequency_hz| ReferencePitch {
|
||
position,
|
||
frequency_hz,
|
||
})
|
||
} else {
|
||
None
|
||
}
|
||
}
|
||
|
||
/// The reference frequency in Hertz (always positive and finite).
|
||
#[inline]
|
||
pub fn frequency_hz(&self) -> f64 {
|
||
self.frequency_hz.get()
|
||
}
|
||
|
||
/// The conventional default: A4 = 440 Hz in `cmn-12` (Chapter 4 §"Default
|
||
/// Score Configuration").
|
||
pub fn a440() -> Self {
|
||
ReferencePitch::new(
|
||
PitchSpacePosition::Cmn {
|
||
nominal: CmnNominal::A,
|
||
alteration: 0,
|
||
octave: 4,
|
||
},
|
||
440.0,
|
||
)
|
||
.expect("A4=440 is a valid reference pitch")
|
||
}
|
||
}
|
||
|
||
/// A pitch's acoustic identity (Chapter 2 §"Acoustic Realization").
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub struct AcousticPitch {
|
||
/// The tuning system governing this pitch's frequency.
|
||
pub tuning: TuningReference,
|
||
/// How the tuning system resolves to a frequency.
|
||
pub realization: AcousticRealization,
|
||
}
|
||
|
||
/// A chromatic pitch class in `0..=11` — one of the twelve positions of the
|
||
/// `cmn-12` chromatic layer, with no octave. Used where a value must name
|
||
/// *which* pitch class rather than a full pitch, such as
|
||
/// [`crate::tuning::HarmonicContext`]'s tonal centre
|
||
/// (`req:tuning:adaptive-anchor-derivation`). [`Pitch::twelve_tet_class`],
|
||
/// just below, already returns a `0..=11` `u8`; this newtype enforces that
|
||
/// range in the type itself rather than merely documenting it, following
|
||
/// [`crate::graph::KeySignature::new`]'s checked-constructor style — a raw
|
||
/// `u8` field a caller could set to `200` is not a chromatic pitch class.
|
||
#[derive(Copy, Clone, PartialEq, Eq, PartialOrd, Ord, Hash, Debug)]
|
||
pub struct ChromaticPitchClass(u8);
|
||
|
||
impl ChromaticPitchClass {
|
||
/// Builds a chromatic pitch class, rejecting values outside `0..=11`.
|
||
pub const fn new(value: u8) -> Option<Self> {
|
||
if value <= 11 {
|
||
Some(ChromaticPitchClass(value))
|
||
} else {
|
||
None
|
||
}
|
||
}
|
||
|
||
/// The underlying `0..=11` value.
|
||
#[inline]
|
||
pub const fn get(self) -> u8 {
|
||
self.0
|
||
}
|
||
}
|
||
|
||
/// A pitch's intrinsic identity: scale position plus acoustic realization
|
||
/// (Chapter 2 §"The Pitch Type"). Spellings are attached externally.
|
||
///
|
||
/// Derived `Eq` is **structural equality** (Chapter 2 §"Equality and
|
||
/// Comparison"). The computed equivalences — scale-position and enharmonic —
|
||
/// are separate methods and must never be conflated with structural equality.
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub struct Pitch {
|
||
/// The analytical identity within a pitch space.
|
||
pub scale_position: ScalePosition,
|
||
/// The acoustic identity.
|
||
pub acoustic: AcousticPitch,
|
||
}
|
||
|
||
impl Pitch {
|
||
/// Scale-position equivalence (Chapter 2): equal `ScalePosition` fields,
|
||
/// ignoring acoustic realization. Exact; never tolerant.
|
||
pub fn scale_position_equivalent(&self, other: &Pitch) -> bool {
|
||
self.scale_position == other.scale_position
|
||
}
|
||
|
||
/// The 12-TET pitch class (`0..=11`) of this pitch's *scale position*, when
|
||
/// its 12-chromatic structure is established: `Cmn` positions whose space
|
||
/// resolves structurally to a `DiatonicOverChromatic` structure with
|
||
/// exactly 12 chromatic positions (built-in `cmn-12`, at this tranche's
|
||
/// catalog), and 12-EDO integer positions. Returns `None` for CMN
|
||
/// positions in spaces that do not resolve that way (e.g. `cmn-24`,
|
||
/// whose 24 quarter-tone positions are not a 12-TET pitch class at all)
|
||
/// and positions whose 12-TET class is not determinable without a tuning
|
||
/// resolver (JI vectors, non-12 EDOs, registered grammars). Octave-blind
|
||
/// — for sounding comparison use [`Pitch::twelve_tet_semitone`].
|
||
pub fn twelve_tet_class(&self) -> Option<u8> {
|
||
self.twelve_tet_semitone().map(|s| s.rem_euclid(12) as u8)
|
||
}
|
||
|
||
/// The *absolute* 12-TET semitone of this pitch's scale position, octave
|
||
/// included, when its 12-chromatic structure is established. For a `Cmn`
|
||
/// position this is `octave*C + m(nominal) + alteration`, where `C` and
|
||
/// `m` come from the space's structural resolution
|
||
/// ([`crate::pitch_space::built_in_position_structure`]) — but only when
|
||
/// `C` is exactly `12`; a space resolving to `DiatonicOverChromatic` with
|
||
/// any other chromatic cardinality (`cmn-24`, for instance) is **not** a
|
||
/// 12-TET semitone and this deliberately does not answer for it (the
|
||
/// name `twelve_tet_semitone` stays honest per
|
||
/// `spec/CONTRACT_PUSH4B_PITCHSPACES.md` item 4: it answers only when the
|
||
/// resolved structure truly has twelve chromatic positions, never by
|
||
/// identifier). For 12-EDO integer positions it is the absolute `index`.
|
||
/// `None` for CMN positions whose space does not resolve to a
|
||
/// `DiatonicOverChromatic` structure with exactly 12 chromatic positions
|
||
/// (`req:pitch:space-capability-refusal`) and positions not determinable
|
||
/// without a tuning resolver.
|
||
///
|
||
/// The CMN and 12-EDO frames use different zero references, so the absolute
|
||
/// value is only meaningful *within* a frame;
|
||
/// [`Pitch::enharmonic_equivalent`] compares only same-frame positions for
|
||
/// that reason.
|
||
pub fn twelve_tet_semitone(&self) -> Option<i32> {
|
||
match &self.scale_position.position {
|
||
PitchSpacePosition::Cmn {
|
||
nominal,
|
||
alteration,
|
||
octave,
|
||
} => {
|
||
let (chromatic_card, nominal_to_chromatic) =
|
||
diatonic_over_chromatic_structure(&self.scale_position.space)?;
|
||
if chromatic_card != 12 {
|
||
return None;
|
||
}
|
||
let m = nominal_to_chromatic[*nominal as usize] as i32;
|
||
Some(*octave as i32 * 12 + m + *alteration as i32)
|
||
}
|
||
PitchSpacePosition::Integer { space_size, index } if *space_size == 12 => Some(*index),
|
||
_ => None,
|
||
}
|
||
}
|
||
|
||
/// Enharmonic equivalence (Chapter 2): sounding-equivalent under 12-tone
|
||
/// equal temperament, regardless of the actual tuning system. This is a
|
||
/// *sounding* notion, so octave matters — C4 and C5 are **not**
|
||
/// enharmonically equivalent (they sound an octave apart); C-sharp4 and
|
||
/// D-flat4 are. Computed from the absolute 12-TET semitone
|
||
/// ([`Pitch::twelve_tet_semitone`]).
|
||
///
|
||
/// Pitches in **different pitch spaces** are not directly comparable
|
||
/// (Chapter 2 §"Scale Position": "pitches in different spaces cannot be
|
||
/// directly compared and operations between them MUST go through an explicit
|
||
/// space-conversion mechanism"), so this returns `false` unless both share a
|
||
/// [`ScalePosition::space`]. The two computable frames (CMN, 12-EDO integer)
|
||
/// also use different zero references, so a cross-frame pair returns `false`
|
||
/// too. `false` for non-determinable positions.
|
||
///
|
||
/// General *sounding* equivalence across arbitrary tuning systems is
|
||
/// [`Pitch::sounding_equivalent`].
|
||
pub fn enharmonic_equivalent(&self, other: &Pitch) -> bool {
|
||
if self.scale_position.space != other.scale_position.space {
|
||
return false;
|
||
}
|
||
match (self.twelve_tet_semitone(), other.twelve_tet_semitone()) {
|
||
(Some(a), Some(b)) => a == b,
|
||
_ => false,
|
||
}
|
||
}
|
||
|
||
/// Sounding equivalence (Chapter 2's third computed relation): two pitches
|
||
/// are sounding-equivalent if they resolve to the same frequency under their
|
||
/// respective tuning systems, within a [`Tolerance`] of the named
|
||
/// [`ToleranceClass::AcousticCents`] class.
|
||
///
|
||
/// The tolerance is the named class, not a raw `f64`: Appendix D §"Tolerance
|
||
/// Classes" forbids ad-hoc epsilons, and a [`Tolerance`] cannot carry
|
||
/// infinity or NaN ([`epiphany_determinism::CanonicalF64`] bounds). A
|
||
/// tolerance of any *other* class is a category error and never matches.
|
||
///
|
||
/// Frequency resolution in general depends on the full tuning-system catalog
|
||
/// and reference pitch. The deterministic part of that now lives in this
|
||
/// crate (`tuning::resolve_pitch_frequency`, Push 4b tranche 2); the full
|
||
/// acoustic engine (Chapter 1; see `DECISIONS.md`) remains a separate
|
||
/// subsystem. This method stays resolver-agnostic on purpose: callers pass a
|
||
/// `resolve` closure mapping a pitch to its frequency in Hertz (`None` if it
|
||
/// cannot resolve it), which may delegate to the in-crate resolver or any
|
||
/// other source. An [`AcousticRealization::AbsoluteHz`] pitch resolves to its
|
||
/// own stated frequency without the closure. Returns `false` if either
|
||
/// frequency is unavailable.
|
||
pub fn sounding_equivalent(
|
||
&self,
|
||
other: &Pitch,
|
||
tolerance: Tolerance,
|
||
mut resolve: impl FnMut(&Pitch) -> Option<f64>,
|
||
) -> bool {
|
||
// The comparison is in cents, so it MUST use the AcousticCents class
|
||
// (Appendix D); a tolerance of any other class never matches.
|
||
if tolerance.class != ToleranceClass::AcousticCents {
|
||
return false;
|
||
}
|
||
let freq = |p: &Pitch, resolve: &mut dyn FnMut(&Pitch) -> Option<f64>| -> Option<f64> {
|
||
match p.acoustic.realization {
|
||
AcousticRealization::AbsoluteHz(hz) => Some(hz.get()),
|
||
_ => resolve(p),
|
||
}
|
||
};
|
||
let mut r = &mut resolve;
|
||
match (freq(self, &mut r), freq(other, &mut r)) {
|
||
(Some(a), Some(b)) if a > 0.0 && b > 0.0 => {
|
||
// Compare in cents against zero: |1200·log2(a/b)| within
|
||
// tolerance. `Tolerance::within` rejects a non-finite cents
|
||
// value (e.g. an infinite resolved frequency), so the comparison
|
||
// can never be spuriously satisfied. This is a derived, tolerant
|
||
// comparison (never canonical state), so the transcendental is
|
||
// admissible (Appendix D applies to canonical numeric output).
|
||
let cents = 1200.0 * (a / b).log2().abs();
|
||
tolerance.within(cents, 0.0)
|
||
}
|
||
_ => false,
|
||
}
|
||
}
|
||
}
|
||
|
||
/// A closed pitch range, `lowest..=highest` (Chapter 2; the type
|
||
/// `core_spec` references for [`Instrument`](crate::Instrument)'s declared
|
||
/// range). Both endpoints are full [`Pitch`] values, so a range is expressed in
|
||
/// a specific pitch space; membership is only decidable when a candidate shares
|
||
/// a comparison frame with the endpoints (the same "sound but incomplete"
|
||
/// discipline as [`Pitch::enharmonic_equivalent`]). Derived `Eq` is structural.
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub struct PitchRange {
|
||
/// The lowest sounding pitch admitted (inclusive).
|
||
pub lowest: Pitch,
|
||
/// The highest sounding pitch admitted (inclusive).
|
||
pub highest: Pitch,
|
||
}
|
||
|
||
impl PitchRange {
|
||
/// Whether `pitch` lies within `lowest..=highest`, decided by absolute
|
||
/// 12-TET semitone ([`Pitch::twelve_tet_semitone`]). Returns `None` — the
|
||
/// indeterminate case its advisory caller treats as a pass — when:
|
||
///
|
||
/// * the three pitches do not all share a [`PitchSpaceId`] frame (absolute
|
||
/// semitones across frames use different zero references and are not
|
||
/// comparable);
|
||
/// * any pitch's semitone is not determinable without a tuning resolver; or
|
||
/// * the range is **malformed** in the comparable frame — `lowest` sorts
|
||
/// strictly above `highest`. A range is well-formed only when `lowest`
|
||
/// does not sort above `highest` (core spec §"Instrument"); a reversed
|
||
/// range is undecidable, not "empty", so it must not reject every pitch.
|
||
pub fn contains(&self, pitch: &Pitch) -> Option<bool> {
|
||
let frame = &self.lowest.scale_position.space;
|
||
if &self.highest.scale_position.space != frame || &pitch.scale_position.space != frame {
|
||
return None;
|
||
}
|
||
let lo = self.lowest.twelve_tet_semitone()?;
|
||
let hi = self.highest.twelve_tet_semitone()?;
|
||
if lo > hi {
|
||
return None; // malformed (reversed) range: undecidable, not empty
|
||
}
|
||
let p = pitch.twelve_tet_semitone()?;
|
||
Some(lo <= p && p <= hi)
|
||
}
|
||
}
|
||
|
||
/// Canonical, deterministic bytes for a [`Pitch`]'s intrinsic content (scale
|
||
/// position plus acoustic realization), used to derive a content-addressed
|
||
/// system pitch identifier. Strings are length-prefixed and already NFC (the
|
||
/// catalog ids normalize on construction); the layout is fixed-shape so equal
|
||
/// pitches encode to equal bytes (Appendix D §"Canonical serialization").
|
||
///
|
||
/// Public because these bytes are the normative "canonical inputs" of the
|
||
/// `MUSCSPCH` derivation (`req:graph:system-derived-pitch-id`): the reduction's
|
||
/// system-derived counter-collision check (Chapter 5 §"System-Derived Counter
|
||
/// Collisions") compares exactly these input bytes to distinguish two pitches
|
||
/// contending for one derived counter.
|
||
pub fn canonical_pitch_bytes(p: &Pitch) -> Vec<u8> {
|
||
// Length-prefixed UTF-8, normalized to NFC at the derivation boundary so the
|
||
// canonical input is NFC regardless of how the string was obtained (Appendix
|
||
// D §"Text and Unicode"). Catalog ids are already NFC at construction, so this
|
||
// is a no-op for them; normalizing here makes the NFC guarantee explicit and
|
||
// robust rather than relying on every caller.
|
||
fn push_str(out: &mut Vec<u8>, s: &str) {
|
||
let nfc: String = s.nfc().collect();
|
||
out.extend_from_slice(&(nfc.len() as u32).to_le_bytes());
|
||
out.extend_from_slice(nfc.as_bytes());
|
||
}
|
||
let mut out = Vec::new();
|
||
push_str(&mut out, p.scale_position.space.as_str());
|
||
match &p.scale_position.position {
|
||
PitchSpacePosition::Cmn {
|
||
nominal,
|
||
alteration,
|
||
octave,
|
||
} => {
|
||
out.push(0);
|
||
out.push(*nominal as u8);
|
||
out.extend_from_slice(&alteration.to_le_bytes());
|
||
out.extend_from_slice(&octave.to_le_bytes());
|
||
}
|
||
PitchSpacePosition::Integer { space_size, index } => {
|
||
out.push(1);
|
||
out.extend_from_slice(&space_size.to_le_bytes());
|
||
out.extend_from_slice(&index.to_le_bytes());
|
||
}
|
||
PitchSpacePosition::JiVector { components } => {
|
||
out.push(2);
|
||
out.extend_from_slice(&(components.len() as u32).to_le_bytes());
|
||
for c in components {
|
||
out.extend_from_slice(&c.to_le_bytes());
|
||
}
|
||
}
|
||
PitchSpacePosition::Registered(id) => {
|
||
out.push(3);
|
||
push_str(&mut out, id.as_str());
|
||
}
|
||
}
|
||
match &p.acoustic.tuning {
|
||
TuningReference::Inherit => out.push(0),
|
||
TuningReference::Explicit(t) => {
|
||
out.push(1);
|
||
push_str(&mut out, t.as_str());
|
||
}
|
||
}
|
||
let f64_bytes = |x: f64| canonical_f64_bytes(x).expect("CanonicalF64 is finite");
|
||
match &p.acoustic.realization {
|
||
AcousticRealization::Implicit => out.push(0),
|
||
AcousticRealization::CentsOffset(c) => {
|
||
out.push(1);
|
||
out.extend_from_slice(&f64_bytes(c.get()));
|
||
}
|
||
AcousticRealization::AbsoluteHz(h) => {
|
||
out.push(2);
|
||
out.extend_from_slice(&f64_bytes(h.get()));
|
||
}
|
||
}
|
||
out
|
||
}
|
||
|
||
/// Derives the deterministic [`PitchId`] of a *system-derived* (synthetic)
|
||
/// pitch in the [`crate::ReplicaId::SYSTEM_DERIVED`] namespace, content-addressed
|
||
/// from the pitch's intrinsic identity via the `MUSCSPCH` domain tag (Chapter 5
|
||
/// §"System-Derived Identifiers").
|
||
///
|
||
/// The spec defers the exact derivation function for synthetic pitches; this is
|
||
/// the prototype's concrete realization — the canonical inputs are the pitch's
|
||
/// content bytes (`canonical_pitch_bytes`) — so two replicas synthesizing the same pitch
|
||
/// derive a byte-identical id. Recorded as a Pass 11 candidate in `DECISIONS.md`
|
||
/// (mirrors [`crate::derive_promoted_voice_id`]). The graph-invariant checker
|
||
/// uses it to prove a `SYSTEM_DERIVED` embedded pitch is a legitimate
|
||
/// derivation rather than an arbitrary counter.
|
||
pub fn derive_system_pitch_id(p: &Pitch) -> PitchId {
|
||
derive_system_id::<PitchId>(SystemDomainTag::PITCH, &canonical_pitch_bytes(p))
|
||
}
|
||
|
||
/// A pitch embedded in an event, paired with its stable identifier (Chapter 5
|
||
/// §"Identified Pitches"). The identifier enables spelling attachments,
|
||
/// respelling, pitch-level reduction, and stable tie pairing through chord
|
||
/// reordering.
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub struct IdentifiedPitch {
|
||
pub id: PitchId,
|
||
pub pitch: Pitch,
|
||
}
|
||
|
||
/// The staff position (nominal) a spelling draws on (Chapter 2 §"The Spelling
|
||
/// Attachment").
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub enum SpellingNominal {
|
||
/// CMN nominal (the fast path).
|
||
Cmn(CmnNominal),
|
||
/// Integer nominal for N-tone systems.
|
||
Integer(i32),
|
||
/// Registered nominal for grammar-specific systems.
|
||
Registered(NominalRegistryId),
|
||
}
|
||
|
||
/// Optional rendering hints on a spelling (Chapter 2). Non-normative for
|
||
/// sounding pitch.
|
||
#[derive(Copy, Clone, PartialEq, Eq, Hash, Debug, Default)]
|
||
pub struct SpellingRenderHints {
|
||
pub parenthesized: bool,
|
||
pub cautionary: bool,
|
||
pub editorial: bool,
|
||
pub small_print: bool,
|
||
}
|
||
|
||
/// An explicit spelling for a pitch: staff position, accidental stack, octave,
|
||
/// and render hints (Chapter 2 §"The Spelling Attachment").
|
||
///
|
||
/// The `accidentals` stack is ordered innermost-first for engraving; an empty
|
||
/// stack means *no glyph is drawn*, which is distinct from a stack containing
|
||
/// only a natural sign (Chapter 2 §"Absent Accidentals"). The accidental-stack
|
||
/// well-formedness rule (no repeated [`AccidentalId`] unless the accidental's
|
||
/// registered combination permits it) is checked by
|
||
/// [`PitchSpelling::accidental_stack_is_well_formed`].
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub struct PitchSpelling {
|
||
pub nominal: SpellingNominal,
|
||
/// Accidental stack, innermost (closest to the notehead) first.
|
||
pub accidentals: Vec<AccidentalId>,
|
||
pub octave: i8,
|
||
pub render_hints: SpellingRenderHints,
|
||
}
|
||
|
||
impl PitchSpelling {
|
||
/// Moves this spelling by `interval`, keeping its enharmonic choice.
|
||
///
|
||
/// The authored **nominal** is what carries that choice — an author who
|
||
/// wrote B♯3 rather than C4 chose the letter B — so the diatonic component
|
||
/// moves the nominal and octave, and the accidental stack is then whatever
|
||
/// the transposed pitch requires on that new staff line.
|
||
/// `sounding_semitone` is the transposed pitch's
|
||
/// [`Pitch::twelve_tet_semitone`].
|
||
///
|
||
/// So B♯3 (sounding C4) transposed by a perfect fifth `(4, 7)` becomes
|
||
/// F×4 (sounding G4): the letter moved four diatonic steps — B→F carries
|
||
/// the octave — and the
|
||
/// double-sharp is what F needs to sound a G. The chromatic component never
|
||
/// touches the spelling directly; it reaches it only through the pitch.
|
||
///
|
||
/// `None` when the spelling is not CMN (no nominal to move), or when the
|
||
/// resulting octave or alteration is not representable.
|
||
pub fn transposed(
|
||
&self,
|
||
interval: TranspositionInterval,
|
||
sounding_semitone: i32,
|
||
) -> Option<PitchSpelling> {
|
||
let SpellingNominal::Cmn(nominal) = self.nominal else {
|
||
return None;
|
||
};
|
||
// `i64` throughout, for the same reason `Pitch::transposed` does.
|
||
let step = i64::from(nominal as u8) + i64::from(interval.diatonic_steps);
|
||
let new_nominal = CmnNominal::from_index(step.rem_euclid(7) as i32);
|
||
let new_octave = i64::from(self.octave) + step.div_euclid(7);
|
||
let alteration =
|
||
i64::from(sounding_semitone) - (i64::from(new_nominal.chromatic()) + 12 * new_octave);
|
||
|
||
let octave = i8::try_from(new_octave).ok()?;
|
||
let alteration = i32::try_from(alteration).ok()?;
|
||
// Guard the accidental stack: `accidental_ids` allocates |alteration|/2
|
||
// glyphs, so an unbounded alteration is an unbounded allocation.
|
||
i8::try_from(alteration).ok()?;
|
||
Some(PitchSpelling {
|
||
nominal: SpellingNominal::Cmn(new_nominal),
|
||
accidentals: crate::prepass::accidental_ids(alteration),
|
||
octave,
|
||
render_hints: self.render_hints,
|
||
})
|
||
}
|
||
|
||
/// A bare CMN spelling with no accidental glyph at the given octave.
|
||
pub fn cmn(nominal: CmnNominal, octave: i8) -> Self {
|
||
PitchSpelling {
|
||
nominal: SpellingNominal::Cmn(nominal),
|
||
accidentals: Vec::new(),
|
||
octave,
|
||
render_hints: SpellingRenderHints::default(),
|
||
}
|
||
}
|
||
|
||
/// Whether the accidental stack is free of repeated identifiers. The
|
||
/// conventional double-sharp/double-flat are single accidental
|
||
/// definitions, never repeated singles (Chapter 2 §"Accidental Stack
|
||
/// Semantics"). Registered accidentals that permit repetition are out of
|
||
/// scope for this baseline check.
|
||
pub fn accidental_stack_is_well_formed(&self) -> bool {
|
||
let mut seen = std::collections::BTreeSet::new();
|
||
self.accidentals.iter().all(|a| seen.insert(a.clone()))
|
||
}
|
||
}
|
||
|
||
/// Provenance of a spelling attachment (Chapter 2 §"Spelling Sources").
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub enum SpellingSource {
|
||
/// The user explicitly chose this spelling.
|
||
UserChosen,
|
||
/// Inferred by the spelling pre-pass. Lowest default precedence.
|
||
Inferred,
|
||
/// Imported from a foreign format.
|
||
Imported { format: ForeignFormatId },
|
||
/// Propagated from a transposition or other edit.
|
||
Propagated { from: PitchId },
|
||
/// An analytical spelling on a non-engraved layer.
|
||
Analytical,
|
||
}
|
||
|
||
/// The provenance *kind* of a spelling source, for precedence ordering
|
||
/// (Chapter 2 §"Configurable Precedence").
|
||
#[derive(Copy, Clone, PartialEq, Eq, PartialOrd, Ord, Hash, Debug)]
|
||
pub enum SpellingSourceKind {
|
||
UserChosen,
|
||
Imported,
|
||
Propagated,
|
||
Inferred,
|
||
Analytical,
|
||
}
|
||
|
||
impl SpellingSource {
|
||
/// The precedence kind of this source.
|
||
pub fn kind(&self) -> SpellingSourceKind {
|
||
match self {
|
||
SpellingSource::UserChosen => SpellingSourceKind::UserChosen,
|
||
SpellingSource::Imported { .. } => SpellingSourceKind::Imported,
|
||
SpellingSource::Propagated { .. } => SpellingSourceKind::Propagated,
|
||
SpellingSource::Inferred => SpellingSourceKind::Inferred,
|
||
SpellingSource::Analytical => SpellingSourceKind::Analytical,
|
||
}
|
||
}
|
||
}
|
||
|
||
/// A score's spelling-precedence configuration: a total ordering over the
|
||
/// spelling-source kinds (Chapter 2 §"Configurable Precedence"). Earlier in the
|
||
/// `order` vector wins. Every score must carry one; the default ranks
|
||
/// `UserChosen > Imported > Propagated > Inferred`, with `Analytical` last
|
||
/// (analytical spellings live on their own layers).
|
||
#[derive(Clone, PartialEq, Eq, Debug)]
|
||
pub struct SpellingPrecedence {
|
||
order: Vec<SpellingSourceKind>,
|
||
}
|
||
|
||
impl Default for SpellingPrecedence {
|
||
fn default() -> Self {
|
||
SpellingPrecedence {
|
||
order: vec![
|
||
SpellingSourceKind::UserChosen,
|
||
SpellingSourceKind::Imported,
|
||
SpellingSourceKind::Propagated,
|
||
SpellingSourceKind::Inferred,
|
||
SpellingSourceKind::Analytical,
|
||
],
|
||
}
|
||
}
|
||
}
|
||
|
||
impl SpellingPrecedence {
|
||
/// Builds a precedence from a total order. Returns `None` unless every
|
||
/// source kind appears exactly once (the spec requires a *total* ordering).
|
||
pub fn new(order: Vec<SpellingSourceKind>) -> Option<Self> {
|
||
let mut seen = std::collections::BTreeSet::new();
|
||
if order.len() != 5 || !order.iter().all(|k| seen.insert(*k)) {
|
||
return None;
|
||
}
|
||
Some(SpellingPrecedence { order })
|
||
}
|
||
|
||
/// The precedence order, for the canonical codec.
|
||
pub(crate) fn order_ref(&self) -> &[SpellingSourceKind] {
|
||
&self.order
|
||
}
|
||
|
||
/// The rank of a source kind: lower wins. `0` is the highest precedence.
|
||
pub fn rank(&self, kind: SpellingSourceKind) -> usize {
|
||
self.order
|
||
.iter()
|
||
.position(|k| *k == kind)
|
||
.expect("precedence is total over all source kinds")
|
||
}
|
||
}
|
||
|
||
/// A voice selector for scope-level directives (Chapter 2 §"Spelling
|
||
/// Attachment"; completed in Chapter 6). Minimal baseline: all voices, or an
|
||
/// explicit set.
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug, Default)]
|
||
pub enum VoiceSelector {
|
||
/// Every voice in scope.
|
||
#[default]
|
||
All,
|
||
/// An explicit set of voices.
|
||
Voices(Vec<VoiceId>),
|
||
}
|
||
|
||
/// A rule for inferring spellings within a scope (Chapter 2 §"Spelling
|
||
/// Attachment"). Baseline placeholder referencing a rule set; the rule
|
||
/// parameters are the spelling-pre-pass open question (Appendix D).
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub struct SpellingRule {
|
||
pub rule_set: SpellingRuleSetId,
|
||
}
|
||
|
||
/// What a spelling attachment applies to (Chapter 2).
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub enum SpellingScope {
|
||
/// Applies to one specific pitch.
|
||
Pitch(PitchId),
|
||
/// Applies to all matching pitches in a time range.
|
||
Range {
|
||
start: TimeAnchor,
|
||
end: TimeAnchor,
|
||
voices: VoiceSelector,
|
||
},
|
||
}
|
||
|
||
/// A spelling directive: an explicit spelling or an inference rule (Chapter 2).
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub enum SpellingDirective {
|
||
/// An explicit spelling for a single pitch. Only valid with
|
||
/// [`SpellingScope::Pitch`].
|
||
Explicit(PitchSpelling),
|
||
/// A rule for inferring spellings within a scope.
|
||
Rule(SpellingRule),
|
||
}
|
||
|
||
/// An externally-stored spelling, indexed by pitch identifier (Chapter 2
|
||
/// §"The Spelling Attachment").
|
||
#[derive(Clone, PartialEq, Eq, Hash, Debug)]
|
||
pub struct SpellingAttachment {
|
||
pub scope: SpellingScope,
|
||
pub directive: SpellingDirective,
|
||
pub source: SpellingSource,
|
||
/// Tie-break priority among attachments; higher wins (after precedence).
|
||
pub priority: i32,
|
||
/// Analysis layer; `None` is the engraved layer.
|
||
pub layer: Option<AnalysisLayerId>,
|
||
}
|
||
|
||
impl SpellingAttachment {
|
||
/// Whether this attachment is internally well-formed: an
|
||
/// [`SpellingDirective::Explicit`] directive is valid only with a
|
||
/// [`SpellingScope::Pitch`] scope (Chapter 2: "Only valid with
|
||
/// SpellingScope::Pitch").
|
||
pub fn is_well_formed(&self) -> bool {
|
||
!matches!(
|
||
(&self.scope, &self.directive),
|
||
(SpellingScope::Range { .. }, SpellingDirective::Explicit(_))
|
||
)
|
||
}
|
||
}
|
||
|
||
/// Context consumed by the spelling pre-pass (Chapter 2 §"The Spelling
|
||
/// Pre-Pass"). Baseline placeholder; the real context (key signature,
|
||
/// in-measure accidental state, melodic/harmonic context) is filled in once the
|
||
/// pre-pass algorithm receives an Appendix D disposition.
|
||
#[derive(Clone, Debug, Default)]
|
||
pub struct SpellingContext {
|
||
/// The pitch space active for the pitch being spelled.
|
||
pub space: Option<PitchSpaceId>,
|
||
}
|
||
|
||
/// The context-free spelling of a single pitch: its authored CMN letter if it
|
||
/// has one, else the simplest (fewest-accidental) enharmonic spelling of its
|
||
/// 12-TET pitch class (Chapter 2 §"The Spelling Pre-Pass").
|
||
///
|
||
/// This is the *isolated* entry point. Real, context-aware spelling — the
|
||
/// Temperley line-of-fifths pre-pass that resolves a pitch by its melodic
|
||
/// neighbours — is a function of the whole score and lives in
|
||
/// [`crate::prepass::derive_annotations`]; the `_ctx` argument is retained for
|
||
/// source compatibility. A pitch whose space declares spelling unavailable
|
||
/// (no determinable 12-TET class) falls back to a middle-C advisory default.
|
||
pub fn spell(p: &Pitch, _ctx: &SpellingContext) -> PitchSpelling {
|
||
crate::prepass::simplest_spelling(p).unwrap_or_else(|| PitchSpelling::cmn(CmnNominal::C, 4))
|
||
}
|
||
|
||
#[cfg(test)]
|
||
mod tests {
|
||
use super::*;
|
||
|
||
fn cmn(nominal: CmnNominal, alteration: i8, octave: i8) -> Pitch {
|
||
cmn_in("cmn-12", nominal, alteration, octave)
|
||
}
|
||
|
||
fn cmn_in(space: &str, nominal: CmnNominal, alteration: i8, octave: i8) -> Pitch {
|
||
Pitch {
|
||
scale_position: ScalePosition {
|
||
space: PitchSpaceId::new(space),
|
||
position: PitchSpacePosition::Cmn {
|
||
nominal,
|
||
alteration,
|
||
octave,
|
||
},
|
||
},
|
||
acoustic: AcousticPitch {
|
||
tuning: TuningReference::Inherit,
|
||
realization: AcousticRealization::Implicit,
|
||
},
|
||
}
|
||
}
|
||
|
||
#[test]
|
||
fn cmn_nominal_discriminants_are_normative() {
|
||
assert_eq!(CmnNominal::C as u8, 0);
|
||
assert_eq!(CmnNominal::B as u8, 6);
|
||
// The cmn-12 chromatic mapping.
|
||
assert_eq!(CmnNominal::C.chromatic(), 0);
|
||
assert_eq!(CmnNominal::E.chromatic(), 4);
|
||
assert_eq!(CmnNominal::B.chromatic(), 11);
|
||
}
|
||
|
||
fn iv(diatonic_steps: i32, chromatic_steps: i32) -> TranspositionInterval {
|
||
TranspositionInterval {
|
||
diatonic_steps,
|
||
chromatic_steps,
|
||
}
|
||
}
|
||
|
||
fn position(p: &Pitch) -> (CmnNominal, i8, i8) {
|
||
match p.scale_position.position {
|
||
PitchSpacePosition::Cmn {
|
||
nominal,
|
||
alteration,
|
||
octave,
|
||
} => (nominal, alteration, octave),
|
||
ref other => panic!("expected a Cmn position, got {other:?}"),
|
||
}
|
||
}
|
||
|
||
#[test]
|
||
fn transposing_an_octave_moves_the_octave_not_the_alteration() {
|
||
// The P12-K2 defect, locked: the old alteration-shift produced
|
||
// `C4 alteration 12` — a C with six double-sharps — for this input.
|
||
let up = cmn(CmnNominal::C, 0, 4).transposed(iv(7, 12)).unwrap();
|
||
assert_eq!(position(&up), (CmnNominal::C, 0, 5));
|
||
|
||
let down = cmn(CmnNominal::C, 0, 4).transposed(iv(-7, -12)).unwrap();
|
||
assert_eq!(position(&down), (CmnNominal::C, 0, 3));
|
||
}
|
||
|
||
#[test]
|
||
fn the_diatonic_component_picks_the_nominal_and_the_alteration_absorbs_the_rest() {
|
||
// A perfect fifth up: C4 -> G4, no accidental.
|
||
let fifth = cmn(CmnNominal::C, 0, 4).transposed(iv(4, 7)).unwrap();
|
||
assert_eq!(position(&fifth), (CmnNominal::G, 0, 4));
|
||
|
||
// A *diminished* sixth up sounds the same and is spelled a step away.
|
||
let dim6 = cmn(CmnNominal::C, 0, 4).transposed(iv(5, 7)).unwrap();
|
||
assert_eq!(position(&dim6), (CmnNominal::A, -2, 4));
|
||
|
||
// Sharpening: the editor's `transpose_selection(1)` equivalent. This
|
||
// is the one case the frozen operation already got right.
|
||
let sharp = cmn(CmnNominal::C, 0, 4).transposed(iv(0, 1)).unwrap();
|
||
assert_eq!(position(&sharp), (CmnNominal::C, 1, 4));
|
||
}
|
||
|
||
#[test]
|
||
fn transposition_crosses_the_octave_boundary_in_both_directions() {
|
||
// B4 up a semitone spelled as a diatonic step: C5, not B#4.
|
||
let up = cmn(CmnNominal::B, 0, 4).transposed(iv(1, 1)).unwrap();
|
||
assert_eq!(position(&up), (CmnNominal::C, 0, 5));
|
||
|
||
// C4 down a diatonic step: B3. Euclidean, so the negative index wraps
|
||
// to 6 and the octave carries -1.
|
||
let down = cmn(CmnNominal::C, 0, 4).transposed(iv(-1, -1)).unwrap();
|
||
assert_eq!(position(&down), (CmnNominal::B, 0, 3));
|
||
|
||
// B#4 exists and sounds as C5, an octave *below* the C it spells past.
|
||
let bsharp = cmn(CmnNominal::B, 1, 4).transposed(iv(0, 0)).unwrap();
|
||
assert_eq!(position(&bsharp), (CmnNominal::B, 1, 4));
|
||
}
|
||
|
||
#[test]
|
||
fn every_transposition_is_undone_by_its_inverse() {
|
||
let start = cmn(CmnNominal::E, -1, 3);
|
||
for interval in [iv(4, 7), iv(-2, -3), iv(7, 12), iv(0, 1), iv(5, 7)] {
|
||
let there = start.transposed(interval).unwrap();
|
||
let back = there
|
||
.transposed(interval.inverse().expect("these inverses exist"))
|
||
.unwrap();
|
||
assert_eq!(
|
||
position(&back),
|
||
position(&start),
|
||
"{interval:?} did not round-trip"
|
||
);
|
||
}
|
||
}
|
||
|
||
#[test]
|
||
fn a_transposition_refuses_rather_than_saturating() {
|
||
// The old operation clamped `alteration` at the i8 bound and reported
|
||
// success. An octave past the i8 bound must refuse instead.
|
||
let high = cmn(CmnNominal::C, 0, 127);
|
||
assert_eq!(
|
||
high.transposed(iv(7, 12)),
|
||
Err(TransposeRefusal::OutOfRange)
|
||
);
|
||
let low = cmn(CmnNominal::C, 0, -128);
|
||
assert_eq!(
|
||
low.transposed(iv(-7, -12)),
|
||
Err(TransposeRefusal::OutOfRange)
|
||
);
|
||
|
||
// An alteration that overflows while the octave is fine.
|
||
let alt = cmn(CmnNominal::C, 120, 4);
|
||
assert_eq!(alt.transposed(iv(0, 20)), Err(TransposeRefusal::OutOfRange));
|
||
|
||
// Nothing is mutated on refusal — `transposed` is by-value.
|
||
assert_eq!(position(&high), (CmnNominal::C, 0, 127));
|
||
}
|
||
|
||
#[test]
|
||
fn an_extreme_interval_refuses_instead_of_panicking() {
|
||
// The public type admits any `i32`. Every one of these overflowed an
|
||
// `i32` intermediate and panicked (or, with overflow-checks off, wrapped
|
||
// through unspecified arithmetic) before the widening to `i64`.
|
||
let p = cmn(CmnNominal::C, 0, 4);
|
||
for (d, c) in [
|
||
(i32::MAX, 0),
|
||
(i32::MIN, 0),
|
||
(0, i32::MAX),
|
||
(0, i32::MIN),
|
||
(i32::MAX, i32::MAX),
|
||
(i32::MIN, i32::MIN),
|
||
(i32::MAX, i32::MIN),
|
||
] {
|
||
assert_eq!(
|
||
p.transposed(iv(d, c)),
|
||
Err(TransposeRefusal::OutOfRange),
|
||
"({d}, {c}) must refuse, not panic"
|
||
);
|
||
}
|
||
// The boundary either side of a representable octave shift.
|
||
assert!(cmn(CmnNominal::C, 0, 126).transposed(iv(7, 12)).is_ok());
|
||
assert_eq!(
|
||
cmn(CmnNominal::C, 0, 127).transposed(iv(7, 12)),
|
||
Err(TransposeRefusal::OutOfRange)
|
||
);
|
||
}
|
||
|
||
#[test]
|
||
fn the_inverse_of_the_unrepresentable_interval_is_none() {
|
||
// `-i32::MIN` is not an `i32`. Negating it panicked.
|
||
assert_eq!(iv(i32::MIN, 0).inverse(), None);
|
||
assert_eq!(iv(0, i32::MIN).inverse(), None);
|
||
assert_eq!(iv(i32::MIN, i32::MIN).inverse(), None);
|
||
assert_eq!(iv(i32::MIN + 1, 0).inverse(), Some(iv(i32::MAX, 0)));
|
||
assert_eq!(iv(4, 7).inverse(), Some(iv(-4, -7)));
|
||
}
|
||
|
||
#[test]
|
||
fn a_spelling_moves_by_its_nominal_and_keeps_the_authors_enharmonic_choice() {
|
||
let semitone = |p: &Pitch| p.twelve_tet_semitone().unwrap();
|
||
|
||
// The author wrote C-sharp, not D-flat. Up a perfect fifth that must be
|
||
// G-sharp, not A-flat: the pre-pass, left to itself, may prefer either.
|
||
let cs4 = cmn(CmnNominal::C, 1, 4);
|
||
let spelled = PitchSpelling {
|
||
nominal: SpellingNominal::Cmn(CmnNominal::C),
|
||
accidentals: crate::prepass::accidental_ids(1),
|
||
octave: 4,
|
||
render_hints: SpellingRenderHints::default(),
|
||
};
|
||
let up = cs4.transposed(iv(4, 7)).unwrap();
|
||
let moved = spelled.transposed(iv(4, 7), semitone(&up)).unwrap();
|
||
assert_eq!(moved.nominal, SpellingNominal::Cmn(CmnNominal::G));
|
||
assert_eq!(moved.octave, 4);
|
||
assert_eq!(moved.accidentals, crate::prepass::accidental_ids(1));
|
||
|
||
// B-sharp 3 sounds as C4. Up a fifth it must stay a *letter F*, spelled
|
||
// F-double-sharp 4, sounding G4 — the nominal carries the choice.
|
||
let bs3 = PitchSpelling {
|
||
nominal: SpellingNominal::Cmn(CmnNominal::B),
|
||
accidentals: crate::prepass::accidental_ids(1),
|
||
octave: 3,
|
||
render_hints: SpellingRenderHints::default(),
|
||
};
|
||
let c4 = cmn(CmnNominal::C, 0, 4);
|
||
let g4 = c4.transposed(iv(4, 7)).unwrap();
|
||
let moved = bs3.transposed(iv(4, 7), semitone(&g4)).unwrap();
|
||
assert_eq!(moved.nominal, SpellingNominal::Cmn(CmnNominal::F));
|
||
assert_eq!(moved.octave, 4);
|
||
assert_eq!(moved.accidentals, crate::prepass::accidental_ids(2));
|
||
|
||
// A plain sharpen: the staff line never moves.
|
||
let c = PitchSpelling::cmn(CmnNominal::C, 4);
|
||
let sharp = c4.transposed(iv(0, 1)).unwrap();
|
||
let moved = c.transposed(iv(0, 1), semitone(&sharp)).unwrap();
|
||
assert_eq!(moved.nominal, SpellingNominal::Cmn(CmnNominal::C));
|
||
assert_eq!(moved.octave, 4);
|
||
assert_eq!(moved.accidentals, crate::prepass::accidental_ids(1));
|
||
}
|
||
|
||
#[test]
|
||
fn a_spelling_refuses_to_move_when_it_cannot_be_written() {
|
||
let c = PitchSpelling::cmn(CmnNominal::C, 4);
|
||
// Octave out of range, and an extreme interval that must not panic.
|
||
assert_eq!(c.transposed(iv(7 * 200, 12 * 200), 0), None);
|
||
assert_eq!(c.transposed(iv(i32::MAX, 0), 0), None);
|
||
assert_eq!(c.transposed(iv(i32::MIN, 0), 0), None);
|
||
// An alteration that will not fit an `i8`.
|
||
assert_eq!(c.transposed(iv(0, 0), 4000), None);
|
||
// A non-CMN nominal has no letter to move.
|
||
let integer = PitchSpelling {
|
||
nominal: SpellingNominal::Integer(7),
|
||
accidentals: Vec::new(),
|
||
octave: 4,
|
||
render_hints: SpellingRenderHints::default(),
|
||
};
|
||
assert_eq!(integer.transposed(iv(4, 7), 55), None);
|
||
}
|
||
|
||
#[test]
|
||
fn a_transposition_refuses_a_non_cmn_position() {
|
||
let mut p = cmn(CmnNominal::C, 0, 4);
|
||
p.scale_position.position = PitchSpacePosition::Integer {
|
||
space_size: 31,
|
||
index: 7,
|
||
};
|
||
assert_eq!(
|
||
p.transposed(iv(4, 7)),
|
||
Err(TransposeRefusal::NonCmnPosition)
|
||
);
|
||
|
||
p.scale_position.position = PitchSpacePosition::JiVector {
|
||
components: vec![1, 0, -1],
|
||
};
|
||
assert_eq!(
|
||
p.transposed(iv(0, 0)),
|
||
Err(TransposeRefusal::NonCmnPosition)
|
||
);
|
||
}
|
||
|
||
#[test]
|
||
fn unresolved_cmn_space_refuses_transposition_and_twelve_tet_conversion() {
|
||
// "edo-31" resolves structurally (the built-in catalog fully
|
||
// determines it — `PositionStructure::Chromatic { 31 }`), but a
|
||
// *resolved* structure in the wrong family is exactly as unusable to
|
||
// a `Cmn` position as an unresolved one: `Cmn` only has a defined
|
||
// action under `DiatonicOverChromatic`.
|
||
let mut p = cmn(CmnNominal::E, -1, 4);
|
||
p.scale_position.space = PitchSpaceId::new("edo-31");
|
||
|
||
assert_eq!(
|
||
p.transposed(iv(4, 7)),
|
||
Err(TransposeRefusal::PitchSpaceUnavailable)
|
||
);
|
||
assert_eq!(p.twelve_tet_semitone(), None);
|
||
assert_eq!(p.twelve_tet_class(), None);
|
||
}
|
||
|
||
#[test]
|
||
fn transposition_refuses_a_ji_space_an_unknown_identifier_and_an_unresolved_catalog_space() {
|
||
// Three distinct ways `req:pitch:space-capability-refusal` is
|
||
// satisfied without guessing: a real catalog identifier whose family
|
||
// is JI (`ji-5limit`), an identifier the catalog has never heard of,
|
||
// and one of the six built-in identifiers the catalog names but does
|
||
// not structurally determine (`maqam-base`).
|
||
for space in ["ji-5limit", "not-a-built-in-pitch-space", "maqam-base"] {
|
||
let p = cmn_in(space, CmnNominal::C, 0, 4);
|
||
assert_eq!(
|
||
p.transposed(iv(4, 7)),
|
||
Err(TransposeRefusal::PitchSpaceUnavailable),
|
||
"{space} must refuse a transposition rather than guess a pitch-space structure"
|
||
);
|
||
}
|
||
}
|
||
|
||
#[test]
|
||
fn twelve_tet_semitone_stays_none_for_a_resolved_non_twelve_chromatic_structure() {
|
||
// `cmn-24` resolves structurally — it is one of the seven fully
|
||
// determined catalog entries — but its chromatic cardinality is 24,
|
||
// not 12. `twelve_tet_semitone`/`twelve_tet_class` must still refuse:
|
||
// resolving *a* structure is not the same as resolving a
|
||
// *twelve*-chromatic one (`spec/CONTRACT_PUSH4B_PITCHSPACES.md` item
|
||
// 4 — the name stays honest only if it keeps this gate).
|
||
let p = cmn_in("cmn-24", CmnNominal::E, -1, 4);
|
||
assert_eq!(p.twelve_tet_semitone(), None);
|
||
assert_eq!(p.twelve_tet_class(), None);
|
||
}
|
||
|
||
#[test]
|
||
fn cmn_24_transposes_using_its_own_quarter_tone_structure() {
|
||
// The tranche's acceptance criterion (`spec/CONTRACT_PUSH4B_PITCHSPACES.md`
|
||
// "Proof of life"): a `cmn-24` pitch transposes end-to-end, with the
|
||
// *resulting scale position* asserted — not merely `is_ok()`.
|
||
|
||
// First, the quarter-tone alteration unit itself
|
||
// (`core_spec.tex:3606`: "A flat is -2 and a half-flat is -1"), via a
|
||
// same-nominal chromatic-only shift.
|
||
let c4 = cmn_in("cmn-24", CmnNominal::C, 0, 4);
|
||
let half_flat = c4.transposed(iv(0, -1)).unwrap();
|
||
assert_eq!(
|
||
half_flat.scale_position.position,
|
||
PitchSpacePosition::Cmn {
|
||
nominal: CmnNominal::C,
|
||
alteration: -1,
|
||
octave: 4,
|
||
}
|
||
);
|
||
let flat = c4.transposed(iv(0, -2)).unwrap();
|
||
assert_eq!(
|
||
flat.scale_position.position,
|
||
PitchSpacePosition::Cmn {
|
||
nominal: CmnNominal::C,
|
||
alteration: -2,
|
||
octave: 4,
|
||
}
|
||
);
|
||
|
||
// Second, the case that only a genuinely 24-chromatic computation
|
||
// gets right: B4 up a semitone (2 quarter-tone steps) spelled as a
|
||
// diatonic step lands on a *natural* C5. `cmn-24`'s nominal map is
|
||
// `[0,4,8,10,14,18,22]` (`core_spec.tex:3609`) and its chromatic
|
||
// cardinality is 24 — not "2x the cmn-12 map applied to a 12-space".
|
||
// Arithmetic that silently fell back to `nominal.chromatic()` (the
|
||
// cmn-12 map, `B=11`) and a chromatic cardinality of 12 would instead
|
||
// compute `alteration' = (11+0+48+2) - (0+60) = 1`: a spurious C5♯.
|
||
let b4 = cmn_in("cmn-24", CmnNominal::B, 0, 4);
|
||
let up_a_semitone = b4.transposed(iv(1, 2)).unwrap();
|
||
assert_eq!(
|
||
up_a_semitone.scale_position.position,
|
||
PitchSpacePosition::Cmn {
|
||
nominal: CmnNominal::C,
|
||
alteration: 0,
|
||
octave: 5,
|
||
}
|
||
);
|
||
}
|
||
|
||
#[test]
|
||
fn a_transposition_refuses_a_pitch_pinned_to_a_frequency() {
|
||
// AbsoluteHz overrides the tuning system: moving the scale position
|
||
// would move the notehead and leave the sound where it was.
|
||
let mut p = cmn(CmnNominal::C, 0, 4);
|
||
p.acoustic.realization = AcousticRealization::absolute_hz(261.6).unwrap();
|
||
assert_eq!(
|
||
p.transposed(iv(4, 7)),
|
||
Err(TransposeRefusal::AcousticPinned)
|
||
);
|
||
|
||
// A cents offset is relative to whatever the tuning produces for the
|
||
// *new* position, so it transposes and survives.
|
||
let mut q = cmn(CmnNominal::C, 0, 4);
|
||
q.acoustic.realization = AcousticRealization::cents_offset(-13.7).unwrap();
|
||
let moved = q.transposed(iv(4, 7)).unwrap();
|
||
assert_eq!(position(&moved), (CmnNominal::G, 0, 4));
|
||
assert_eq!(moved.acoustic.realization, q.acoustic.realization);
|
||
}
|
||
|
||
#[test]
|
||
fn pitch_range_contains_is_advisory_and_frame_aware() {
|
||
let range = PitchRange {
|
||
lowest: cmn(CmnNominal::C, 0, 2),
|
||
highest: cmn(CmnNominal::C, 0, 6),
|
||
};
|
||
// Interior and inclusive endpoints are in range.
|
||
assert_eq!(range.contains(&cmn(CmnNominal::C, 0, 4)), Some(true));
|
||
assert_eq!(range.contains(&cmn(CmnNominal::C, 0, 2)), Some(true));
|
||
assert_eq!(range.contains(&cmn(CmnNominal::C, 0, 6)), Some(true));
|
||
// Below and above are out of range.
|
||
assert_eq!(range.contains(&cmn(CmnNominal::C, 0, 1)), Some(false));
|
||
assert_eq!(range.contains(&cmn(CmnNominal::C, 0, 7)), Some(false));
|
||
|
||
// A malformed (reversed) range is *undecidable*, not "everything out of
|
||
// range" — it must not reject every comparable pitch.
|
||
let reversed = PitchRange {
|
||
lowest: cmn(CmnNominal::C, 0, 6),
|
||
highest: cmn(CmnNominal::C, 0, 2),
|
||
};
|
||
assert_eq!(reversed.contains(&cmn(CmnNominal::C, 0, 4)), None);
|
||
|
||
// A candidate in a different pitch-space frame is undecidable (absolute
|
||
// semitones across frames are not comparable).
|
||
let other_frame = Pitch {
|
||
scale_position: ScalePosition {
|
||
space: PitchSpaceId::new("cmn-19"),
|
||
position: PitchSpacePosition::Integer {
|
||
space_size: 12,
|
||
index: 48,
|
||
},
|
||
},
|
||
acoustic: AcousticPitch {
|
||
tuning: TuningReference::Inherit,
|
||
realization: AcousticRealization::Implicit,
|
||
},
|
||
};
|
||
assert_eq!(other_frame.twelve_tet_semitone(), Some(48));
|
||
assert_eq!(range.contains(&other_frame), None);
|
||
}
|
||
|
||
#[test]
|
||
fn enharmonic_equivalence_is_twelve_tet_pitch_class() {
|
||
// C-sharp4 and D-flat4 are enharmonic but not structurally equal nor
|
||
// scale-position equivalent.
|
||
let cis = cmn(CmnNominal::C, 1, 4);
|
||
let des = cmn(CmnNominal::D, -1, 4);
|
||
assert_ne!(cis, des);
|
||
assert!(!cis.scale_position_equivalent(&des));
|
||
assert!(cis.enharmonic_equivalent(&des));
|
||
// B-sharp 3 wraps up to C4 (same sounding semitone across the octave
|
||
// boundary): octave-aware arithmetic handles this.
|
||
let bis = cmn(CmnNominal::B, 1, 3);
|
||
let c = cmn(CmnNominal::C, 0, 4);
|
||
assert!(bis.enharmonic_equivalent(&c));
|
||
// A different pitch class is not enharmonic.
|
||
assert!(!cmn(CmnNominal::C, 0, 4).enharmonic_equivalent(&cmn(CmnNominal::D, 0, 4)));
|
||
// Enharmonic equivalence is a *sounding* notion: the same nominal an
|
||
// octave apart is NOT equivalent (it sounds an octave higher).
|
||
assert!(!cmn(CmnNominal::C, 0, 4).enharmonic_equivalent(&cmn(CmnNominal::C, 0, 5)));
|
||
assert!(cmn(CmnNominal::C, 0, 4).enharmonic_equivalent(&cmn(CmnNominal::C, 0, 4)));
|
||
}
|
||
|
||
#[test]
|
||
fn structural_equality_is_not_equivalence() {
|
||
let a = cmn(CmnNominal::C, 0, 4);
|
||
let b = cmn(CmnNominal::C, 0, 4);
|
||
assert_eq!(a, b);
|
||
assert!(a.scale_position_equivalent(&b));
|
||
}
|
||
|
||
#[test]
|
||
fn enharmonic_requires_the_same_pitch_space() {
|
||
// Both operands are independently computable as the same absolute
|
||
// 12-TET semitone. The rejection therefore proves the space-frame
|
||
// branch rather than passing through conversion unavailability.
|
||
let cis = cmn(CmnNominal::C, 1, 4);
|
||
let other_space = Pitch {
|
||
scale_position: ScalePosition {
|
||
space: PitchSpaceId::new("edo-31"),
|
||
position: PitchSpacePosition::Integer {
|
||
space_size: 12,
|
||
index: 49,
|
||
},
|
||
},
|
||
acoustic: AcousticPitch {
|
||
tuning: TuningReference::Inherit,
|
||
realization: AcousticRealization::Implicit,
|
||
},
|
||
};
|
||
assert_eq!(cis.twelve_tet_semitone(), Some(49));
|
||
assert_eq!(other_space.twelve_tet_semitone(), Some(49));
|
||
assert!(cis.enharmonic_equivalent(&cmn(CmnNominal::D, -1, 4)));
|
||
assert!(!cis.enharmonic_equivalent(&other_space));
|
||
}
|
||
|
||
#[test]
|
||
fn sounding_equivalence_uses_acoustic_cents_tolerance_class() {
|
||
use epiphany_determinism::{Tolerance, ToleranceClass, ToleranceGovernance};
|
||
let cents = |c| {
|
||
Tolerance::absolute(
|
||
ToleranceClass::AcousticCents,
|
||
c,
|
||
ToleranceGovernance::Validation,
|
||
)
|
||
.unwrap()
|
||
};
|
||
let a = cmn(CmnNominal::A, 0, 4);
|
||
let b = cmn(CmnNominal::A, 0, 4);
|
||
// A resolver placing both at 440 Hz -> equivalent; 440 vs 466 (~100c)
|
||
// is not within a 5-cent tolerance.
|
||
assert!(a.sounding_equivalent(&b, cents(5.0), |_| Some(440.0)));
|
||
let resolve = |p: &Pitch| match &p.scale_position.position {
|
||
PitchSpacePosition::Cmn { nominal, .. } if *nominal == CmnNominal::A => Some(440.0),
|
||
_ => Some(466.16),
|
||
};
|
||
assert!(!a.sounding_equivalent(&cmn(CmnNominal::B, -1, 4), cents(5.0), resolve));
|
||
// An AbsoluteHz pitch resolves without the closure.
|
||
let mut abs = cmn(CmnNominal::A, 0, 4);
|
||
abs.acoustic.realization = AcousticRealization::absolute_hz(440.0).unwrap();
|
||
assert!(abs.sounding_equivalent(&b, cents(1.0), |_| Some(440.0)));
|
||
|
||
// A tolerance of the wrong class is a category error and never matches,
|
||
// even for identical pitches.
|
||
let wrong = Tolerance::absolute(
|
||
ToleranceClass::LayoutCoordinate,
|
||
5.0,
|
||
ToleranceGovernance::Validation,
|
||
)
|
||
.unwrap();
|
||
assert!(!a.sounding_equivalent(&b, wrong, |_| Some(440.0)));
|
||
// A resolver returning an infinite frequency never spuriously matches
|
||
// (the named tolerance rejects non-finite operands).
|
||
assert!(!a.sounding_equivalent(&b, cents(5.0), |_| Some(f64::INFINITY)));
|
||
}
|
||
|
||
#[test]
|
||
fn catalog_ids_normalize_to_nfc() {
|
||
// Precomposed "é" (U+00E9) vs decomposed "e" + combining acute (U+0301)
|
||
// are canonically equivalent and MUST intern equal (Appendix D).
|
||
let precomposed = PitchSpaceId::new("caf\u{00e9}");
|
||
let decomposed = PitchSpaceId::new("cafe\u{0301}");
|
||
assert_eq!(precomposed, decomposed);
|
||
assert_eq!(precomposed.as_str(), decomposed.as_str());
|
||
use std::collections::hash_map::DefaultHasher;
|
||
use std::hash::{Hash, Hasher};
|
||
let h = |x: &PitchSpaceId| {
|
||
let mut s = DefaultHasher::new();
|
||
x.hash(&mut s);
|
||
s.finish()
|
||
};
|
||
assert_eq!(h(&precomposed), h(&decomposed));
|
||
}
|
||
|
||
#[test]
|
||
fn system_pitch_derivation_is_deterministic_and_content_addressed() {
|
||
let p = cmn(CmnNominal::C, 0, 4);
|
||
let id = derive_system_pitch_id(&p);
|
||
// Deterministic and in the reserved namespace.
|
||
assert_eq!(id, derive_system_pitch_id(&p));
|
||
assert_eq!(id.replica(), crate::ids::ReplicaId::SYSTEM_DERIVED);
|
||
// Different content derives a different id.
|
||
assert_ne!(id, derive_system_pitch_id(&cmn(CmnNominal::D, 0, 4)));
|
||
}
|
||
|
||
#[test]
|
||
fn system_pitch_id_byte_form_is_locked() {
|
||
// Golden: locks the MUSCSPCH canonical-input layout (space name, scale
|
||
// position discriminant + payload, tuning, acoustic realization; strings
|
||
// length-prefixed NFC) and the hash. RATIFIED by Pass 11 (item 1.3,
|
||
// P11-6): this is the spec's golden, normative in core_spec
|
||
// §"System-Derived Pitch Identity",
|
||
// Requirement `req:graph:system-derived-pitch-id` — note the tuning
|
||
// reference (incl. the Inherit marker) is always part of intrinsic
|
||
// identity. A change to the byte form breaks this deliberately.
|
||
let id = derive_system_pitch_id(&cmn(CmnNominal::C, 0, 4));
|
||
assert_eq!(id.replica(), crate::ids::ReplicaId::SYSTEM_DERIVED);
|
||
const GOLDEN: [u8; 16] = [
|
||
255, 255, 255, 255, 255, 255, 255, 255, 164, 31, 138, 24, 68, 38, 241, 168,
|
||
];
|
||
assert_eq!(id.canonical_bytes(), GOLDEN);
|
||
}
|
||
|
||
#[test]
|
||
fn reference_pitch_rejects_non_positive_frequency() {
|
||
let pos = PitchSpacePosition::Cmn {
|
||
nominal: CmnNominal::A,
|
||
alteration: 0,
|
||
octave: 4,
|
||
};
|
||
assert!(ReferencePitch::new(pos.clone(), -440.0).is_none());
|
||
assert!(ReferencePitch::new(pos.clone(), 0.0).is_none());
|
||
assert_eq!(
|
||
ReferencePitch::new(pos, 440.0).unwrap().frequency_hz(),
|
||
440.0
|
||
);
|
||
assert_eq!(ReferencePitch::a440().frequency_hz(), 440.0);
|
||
}
|
||
|
||
#[test]
|
||
fn acoustic_realization_rejects_bad_floats() {
|
||
assert!(AcousticRealization::cents_offset(f64::NAN).is_none());
|
||
assert!(AcousticRealization::absolute_hz(0.0).is_none());
|
||
assert!(AcousticRealization::absolute_hz(-440.0).is_none());
|
||
assert!(AcousticRealization::absolute_hz(440.0).is_some());
|
||
}
|
||
|
||
#[test]
|
||
fn accidental_stack_rejects_repeats() {
|
||
let mut s = PitchSpelling::cmn(CmnNominal::F, 4);
|
||
s.accidentals = vec![AccidentalId::new("sharp")];
|
||
assert!(s.accidental_stack_is_well_formed());
|
||
s.accidentals = vec![AccidentalId::new("sharp"), AccidentalId::new("sharp")];
|
||
assert!(!s.accidental_stack_is_well_formed());
|
||
}
|
||
|
||
#[test]
|
||
fn spelling_precedence_default_and_totality() {
|
||
let p = SpellingPrecedence::default();
|
||
assert!(p.rank(SpellingSourceKind::UserChosen) < p.rank(SpellingSourceKind::Inferred));
|
||
assert!(p.rank(SpellingSourceKind::Imported) < p.rank(SpellingSourceKind::Propagated));
|
||
// Non-total configurations are rejected.
|
||
assert!(SpellingPrecedence::new(vec![SpellingSourceKind::UserChosen]).is_none());
|
||
assert!(SpellingPrecedence::new(vec![
|
||
SpellingSourceKind::UserChosen,
|
||
SpellingSourceKind::UserChosen,
|
||
SpellingSourceKind::Imported,
|
||
SpellingSourceKind::Propagated,
|
||
SpellingSourceKind::Inferred,
|
||
])
|
||
.is_none());
|
||
}
|
||
|
||
#[test]
|
||
fn explicit_spelling_requires_pitch_scope() {
|
||
let pid = PitchId::new(crate::ReplicaId(1), 0);
|
||
let ok = SpellingAttachment {
|
||
scope: SpellingScope::Pitch(pid),
|
||
directive: SpellingDirective::Explicit(PitchSpelling::cmn(CmnNominal::C, 4)),
|
||
source: SpellingSource::UserChosen,
|
||
priority: 0,
|
||
layer: None,
|
||
};
|
||
assert!(ok.is_well_formed());
|
||
}
|
||
|
||
#[test]
|
||
fn spell_preserves_authored_cmn_letter() {
|
||
// An authored C-sharp keeps its letter (spelling follows the scale
|
||
// position, not the trivial old C-default stub).
|
||
let p = Pitch {
|
||
scale_position: ScalePosition {
|
||
space: PitchSpaceId::new("cmn-12"),
|
||
position: PitchSpacePosition::Cmn {
|
||
nominal: CmnNominal::C,
|
||
alteration: 1,
|
||
octave: 5,
|
||
},
|
||
},
|
||
acoustic: AcousticPitch {
|
||
tuning: TuningReference::Inherit,
|
||
realization: AcousticRealization::Implicit,
|
||
},
|
||
};
|
||
let s = spell(&p, &SpellingContext::default());
|
||
assert_eq!(s.nominal, SpellingNominal::Cmn(CmnNominal::C));
|
||
assert_eq!(s.accidentals, vec![AccidentalId::new("sharp")]);
|
||
assert_eq!(s.octave, 5);
|
||
assert_eq!(SpellingAlgorithmId::default_id().as_str(), "default");
|
||
}
|
||
|
||
#[test]
|
||
fn spell_chromatic_integer_pitch_is_nontrivial() {
|
||
// A 12-EDO integer position (chromatic input) gets a real spelling of
|
||
// its pitch class, not the old constant middle-C.
|
||
let p = Pitch {
|
||
scale_position: ScalePosition {
|
||
space: PitchSpaceId::new("cmn-12"),
|
||
position: PitchSpacePosition::Integer {
|
||
space_size: 12,
|
||
index: 54, // pitch class 6 (F#/Gb)
|
||
},
|
||
},
|
||
acoustic: AcousticPitch {
|
||
tuning: TuningReference::Inherit,
|
||
realization: AcousticRealization::Implicit,
|
||
},
|
||
};
|
||
let s = spell(&p, &SpellingContext::default());
|
||
// Simplest single-accidental spelling of pitch class 6 (either F# or Gb);
|
||
// it is a real, non-default spelling.
|
||
assert!(matches!(
|
||
s.nominal,
|
||
SpellingNominal::Cmn(CmnNominal::F) | SpellingNominal::Cmn(CmnNominal::G)
|
||
));
|
||
assert_eq!(s.accidentals.len(), 1);
|
||
}
|
||
}
|