383 lines
11 KiB
CSS
383 lines
11 KiB
CSS
/* work.css — /work.html, the professional front door.
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*
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* This page has a different job from every other surface on the site. Vita
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* and the project index are RECORD pages: generated from the CV data, complete,
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* and unranked. Work is an ARGUMENT page — hand-written, deliberately partial,
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* and ordered. Four entries carry it, and a reader must be able to tell within
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* a screen what the claim is and where the evidence lives.
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*
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* SPECIFICITY NOTE. Every selector below is prefixed with #markdownBody for the
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* same reason vita.css does it: typography.css owns the prose surface through
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* #markdownBody (1,0,1), including :is(h1..h6) at display sizes and the 1.5em
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* text-indent on `p + p` that essay prose relies on. A bare .work-entry (0,1,0)
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* loses to that regardless of load order — entry headings would render at essay
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* scale and every second paragraph inside a card would sit indented like
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* running prose. The prefix is load-bearing, not habit.
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*/
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/* ============================================================
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HEADER
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page.html emits <h1 class="page-title">$title$</h1> from the
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frontmatter, which is "Work" — correct for the nav label and
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the <title> tag, but a weak thing to lead with on a page people
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land on cold from an application link with no context. So the
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h1 demotes to a small-caps eyebrow and the name below it takes
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the display slot, which is what every research page worth
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copying does. The h1 keeps its text and its place in the
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document outline; only its visual weight changes.
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============================================================ */
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#markdownBody .page-title {
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margin: 0 0 0.35rem;
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font-family: var(--font-serif);
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font-size: 0.85rem;
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font-variant: all-small-caps;
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font-feature-settings: "smcp" 1;
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letter-spacing: 0.12em;
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font-weight: 400;
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color: var(--text-faint);
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}
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#markdownBody .work-name {
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margin: 0 0 0.9rem;
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font-family: var(--font-serif);
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font-size: 2rem;
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font-weight: 600;
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line-height: 1.1;
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letter-spacing: -0.01em;
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color: var(--text);
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}
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#markdownBody .work-name p {
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margin: 0;
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text-indent: 0;
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}
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/* ============================================================
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LEDE
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Identity and availability, above the fold. Serif, slightly
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larger than body, and never indented — this is the 15-second
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read and it must not look like the start of an essay.
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============================================================ */
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#markdownBody .work-lede {
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margin: 0 0 1.5rem;
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font-family: var(--font-serif);
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font-size: 1.02rem;
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line-height: 1.55;
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}
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#markdownBody .work-lede p {
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margin: 0 0 0.75rem;
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text-indent: 0;
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}
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#markdownBody .work-lede p:last-child {
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margin-bottom: 0;
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}
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/* The availability line is the one piece of this page that a recruiter must
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not be able to miss, so it gets a rule and the UI face rather than serif. */
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#markdownBody .work-lede p:last-child strong {
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display: block;
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margin-top: 1.15rem;
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padding-top: 1rem;
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border-top: 1px solid var(--border);
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font-family: var(--font-ui);
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font-size: 0.92rem;
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font-weight: 600;
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letter-spacing: 0.01em;
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}
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/* ============================================================
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LINK ROW
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Primary destinations. Monospace to read as apparatus rather
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than prose, and wrapped so it degrades to two lines on phones
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instead of overflowing.
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============================================================ */
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#markdownBody .work-links {
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margin: 0 0 1.9rem;
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padding: 0.6rem 0;
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border-top: 1px solid var(--border);
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border-bottom: 1px solid var(--border);
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font-family: var(--font-mono);
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font-size: 0.78rem;
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line-height: 1.8;
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}
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#markdownBody .work-links p {
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margin: 0;
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text-indent: 0;
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}
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/* ============================================================
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SECTION HEADINGS
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Borrowed from library.css's shelf headings: serif small-caps,
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letterspaced, set at body scale rather than display scale.
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The library uses this to get a fine-press feel; here it does
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the same job while staying quieter than typography.css's
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default h2, which lands at display size with 2.475rem margins
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and would shout on a page whose whole argument is restraint.
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The library's warm accent palette is deliberately NOT carried
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over — a professional front door wants the typographic idiom
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without the decoration.
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============================================================ */
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#markdownBody h2 {
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margin: 0 0 1.1rem;
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font-family: var(--font-serif);
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font-size: 1.05rem;
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font-variant: all-small-caps;
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font-feature-settings: "smcp" 1;
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letter-spacing: 0.09em;
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font-weight: 400;
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color: var(--text-muted);
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}
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/* ============================================================
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THESIS
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The position statement. Every strong research page consulted
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(Crichton's "My angle", Shriram's "My Focus") states one
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before listing artifacts; without it four projects read as
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four hobbies rather than one direction. Set at lede scale so
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it carries weight, with the opening question emphasized.
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============================================================ */
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/* Deliberately NO left rule here, unlike .work-entry. The rule is the
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device that marks a project card; wearing it would make the page's
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central claim read as a fifth entry rather than the frame the other
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four sit inside. */
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#markdownBody .work-thesis {
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margin: 0 0 2.5rem;
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font-family: var(--font-serif);
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font-size: 1.02rem;
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line-height: 1.6;
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}
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#markdownBody .work-thesis p {
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margin: 0 0 0.8rem;
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text-indent: 0;
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}
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#markdownBody .work-thesis p:first-child {
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font-style: italic;
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color: var(--text);
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}
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#markdownBody .work-thesis p:last-child {
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margin-bottom: 0;
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color: var(--text-muted);
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}
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/* ============================================================
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FRAMING NOTE
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Tells the reader the hierarchy is deliberate and where the
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complete records are. Muted: it is scaffolding, not content.
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============================================================ */
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#markdownBody .work-note {
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margin: 0 0 2.25rem;
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font-family: var(--font-serif);
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font-size: 0.88rem;
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line-height: 1.55;
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color: var(--text-faint);
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}
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#markdownBody .work-note p {
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margin: 0;
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text-indent: 0;
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}
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/* ============================================================
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ENTRIES
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One per flagship project. The left rule is the only ornament:
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it groups the heading, prose, limitation, and links into a
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single scannable block without drawing a box around them.
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============================================================ */
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#markdownBody .work-entry {
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margin: 0 0 1.7rem;
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padding-left: 1.25rem;
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border-left: 2px solid var(--border);
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}
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#markdownBody .work-entry:hover {
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border-left-color: var(--border-muted);
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transition: border-color var(--transition-fast);
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}
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#markdownBody .work-entry h3 {
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margin: 0 0 0.2rem;
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font-family: var(--font-serif);
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font-size: 1.14rem;
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font-weight: 600;
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line-height: 1.3;
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letter-spacing: 0;
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}
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#markdownBody .work-entry p {
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margin: 0 0 0.6rem;
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text-indent: 0;
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}
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/* Affiliation / status line under the entry title. */
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#markdownBody .work-meta {
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margin: 0 0 0.6rem;
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font-family: var(--font-ui);
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font-size: 0.78rem;
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letter-spacing: 0.04em;
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text-transform: uppercase;
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color: var(--text-faint);
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}
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#markdownBody .work-meta p {
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margin: 0;
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text-indent: 0;
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}
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/* ============================================================
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LIMITATIONS
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Every entry carries one. This is a credibility device, not a
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disclaimer to bury — it is set on the offset ground so a
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skeptical reader finds it without hunting, but stays quieter
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than the claim it qualifies.
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============================================================ */
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#markdownBody .work-limit {
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margin: 0 0 0.6rem;
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padding: 0;
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background: none;
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border-left: none;
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font-size: 0.85rem;
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line-height: 1.45;
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color: var(--text-faint);
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}
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#markdownBody .work-limit p {
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margin: 0;
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text-indent: 0;
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}
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#markdownBody .work-limit strong {
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color: var(--text);
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}
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/* ============================================================
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ENTRY LINKS
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Evidence for the entry directly above. Monospace, matching the
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top link row, so "where the proof is" reads consistently.
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============================================================ */
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#markdownBody .work-entry-links {
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margin: 0;
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font-family: var(--font-mono);
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font-size: 0.76rem;
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line-height: 1.8;
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}
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#markdownBody .work-entry-links p {
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margin: 0;
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text-indent: 0;
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}
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/* ============================================================
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MORE WORK
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Breadth, below depth. Each bucket is one paragraph with a bold
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lead-in; no rules and no cards, so it stays visibly subordinate
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to the four entries above.
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============================================================ */
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#markdownBody .work-more {
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font-size: 0.92rem;
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line-height: 1.5;
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}
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/* Bucket labels. Same small-caps idiom as the h2s but a step down,
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so the four buckets read as subordinate to "More work" itself. */
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#markdownBody .work-more h3 {
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margin: 1.6rem 0 0.5rem;
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font-family: var(--font-serif);
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font-size: 0.95rem;
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font-variant: all-small-caps;
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font-feature-settings: "smcp" 1;
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letter-spacing: 0.07em;
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font-weight: 400;
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color: var(--text-faint);
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}
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#markdownBody .work-more h3:first-child {
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margin-top: 0;
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}
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/* Title — one-phrase description, after Matuschak. The em-dash split
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does the work a paragraph was doing before, in a fifth of the height. */
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#markdownBody .work-more ul {
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margin: 0;
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padding-left: 1.1rem;
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list-style: none;
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}
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#markdownBody .work-more li {
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margin: 0 0 0.3rem;
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text-indent: -1.1rem;
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padding-left: 1.1rem;
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color: var(--text-muted);
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}
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#markdownBody .work-more li::before {
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content: "·";
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display: inline-block;
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width: 1.1rem;
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margin-left: -1.1rem;
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color: var(--text-faint);
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}
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#markdownBody .work-more li a {
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color: var(--text);
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}
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/* ============================================================
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NARROW SCREENS
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Below the tablet breakpoint the left rules cost more in
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horizontal space than they return in grouping, so they thin
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out and the indent collapses.
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============================================================ */
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@media (max-width: 680px) {
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#markdownBody .work-entry {
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padding-left: 0.85rem;
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}
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#markdownBody .work-links,
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#markdownBody .work-entry-links {
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font-size: 0.72rem;
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}
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#markdownBody .work-lede {
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font-size: 1rem;
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}
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#markdownBody .work-name {
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font-size: 1.6rem;
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}
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}
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/* Print: the page is a plausible thing to hand to someone on paper, so drop
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the interactive ornament and let the offset grounds go white. */
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@media print {
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#markdownBody .work-entry,
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#markdownBody .work-limit {
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border-left: none;
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padding-left: 0;
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}
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/* Entry links stay visible on paper — the URLs are the evidence, and a
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printed copy is worth less without them. */
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#markdownBody .work-entry-links a::after {
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content: " (" attr(href) ")";
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font-size: 0.85em;
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color: #555;
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}
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}
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